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ow you come to a critical juncture: the transition from comp to layout. Moving work from one medium to another is always exacting and often stressful. Happily, Adobe has integrated Photoshop and Dreamweaver to smooth this workflow through a variety of techniques, as you ll see in this chapter. Just as Web designers trying out Photoshop for the first time, graphic artists new to Dreamweaver can also experience the where do I start phenomenon. Dreamweaver s feature-set runs the gamut from straightforward static Web pages to dynamic database-driven sites. This chapter takes a ground-up approach with Dreamweaver and demonstrates how to create both your first site and first layout. The following core techniques in this chapter will help you get started down the right path for working in Dreamweaver and transitioning from Photoshop: Setting up a Dreamweaver site Declaring CSS styles Inserting <div> tags Adding background images Inserting foreground images from Photoshop

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1. Continue with ab20-01.dwg from the previous exercise. The Data View window should still be open. Press Esc to make sure that no objects are still selected. 2. On the dbConnect Manager, select a table or link template, and click New Label Template on the dbConnect Manager s toolbar. 3. In the New Label Template dialog box, click Continue to use the default name. 4. In the Label Template dialog box, click the Label Fields tab. Choose PART_NO from the Field drop-down list. Click Add. 5. Choose DESCRIPTION from the Field drop-down list and then click Add. 6. Click the Label Offset tab. In the Start drop-down list, choose Top Left. Set the Leader offset X and Y values to 2. 7. Click the Character tab. Select all the text and change the height to 5/16. 8. Click OK. 9. Click the down arrow next to Link and Label Settings on the Data View s toolbar, and choose Create Attached Labels. 10. Click Create Attached Labels on the Data View s toolbar. 11. At the Select objects: prompt, choose the horizontal line marked at the top of the angle that you linked in the previous exercise. Press Enter to end object selection. AutoCAD automatically places the label. 12. The label covers existing objects. Pick the text of the label and then click its grip. Move the text to the left and pick a better location. The leader automatically changes direction and ends at the left side. 13. Save your drawing. Leave it open for the next exercise.

Understandably, knowing the best IT strategy for a business is a top priority in many people s minds and some guidelines as to the basic options and respective business considerations have been given here. But the emphasis of this chapter is to take a step back from the strategy itself and to establish a simple overarching process that manages strategy effectively in a global context from agreement through to implementation, meeting the demands of business managers, IT planners and the general IT community along the way: Top-down IT and business agreement on IT strategy: the range of basic options is business enablement, incremental improvement, globalization and outsourcing. The use of an IT Steering Committee is important to enable joint decisions and commitments by business and IT executives. Straightforward articulation of strategy and cascade of priorities into local and functional planning: a simple approach to alignment of priorities without signi cant intrusion into local planning processes was proposed. Avoidance of well-known pitfalls in execution: it is key in major IT initiatives to populate the projects with quality representation from the main stakeholder groups and to treat initiatives as change projects, not just technology projects.

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Diffusion filters soften your video image. We ve all seen diffusion at work in the movies, particularly in the film noir genre. The camera cuts to a shot of the gorgeous female actress, and she s practically luminous. This is achieved using a fairly heavy diffusion filter. Although this would be overkill for most podcasting applications, using a light diffusion filter gives your podcast a distinctive look. It also can help your encoding quality. Many DV cameras default to shooting a very high contrast image, and some even use special processing to exaggerate the edges between objects. This can be okay in situations where there isn t much contrast to begin with, but if your scene is lit properly, you should have plenty of contrast. Video that has too much contrast looks amateurish. Using a diffusion filter can mitigate this by softening the entire image ever so slightly. Diffusion filters can make your podcast look more filmlike, which is generally desirable. Video with too much contrast also is more difficult to encode, because it has lots of extra detail in the frame. This makes the encoder s job harder, because it tries to maintain as much detail as possible. Using a diffusion filter helps soften the image slightly, which reduces the amount of detail, thereby making the image easier to encode.

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